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・ Paula Malcomson
・ Paula Marcela Moreno Zapata
・ Paula Marosi
・ Paula Marshall
・ Paula Martí
・ Paula María Bertol
・ Paula Mateo
・ Paula McLain
・ Paula McMath
・ Paula Medina
・ Paula Meehan
・ Paula Miller
・ Paula Milne
・ Paula Miranda
・ Paula Mitrache in Haiducii
Paula Modersohn-Becker
・ Paula Modersohn-Becker Museum
・ Paula Mollenhauer
・ Paula Moltzan
・ Paula Montal Fornés
・ Paula Morelenbaum
・ Paula Morris
・ Paula Moseley
・ Paula Murray
・ Paula Nascimento
・ Paula Newby-Fraser
・ Paula Newsome
・ Paula Newton
・ Paula Niukula
・ Paula Nizetich


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Paula Modersohn-Becker : ウィキペディア英語版
Paula Modersohn-Becker

Paula Modersohn-Becker (February 8, 1876 – November 21, 1907) was a German painter and one of the most important representatives of early expressionism. In a brief career, cut short by an embolism at the age of 31, she created a number of groundbreaking images of great intensity. She is becoming recognized as the first female painter to paint female nudes. Using bold forays into subject matter and chromatic color choices, she and fellow-artists Picasso and Matisse introduced the world to modernism at the start of the twentieth century.
==Biography==

Paula Becker was born and grew up in Dresden-Friedrichstadt. She was the third child of seven children in her family. Her father, the son of a Russian university professor, was employed with the German railway. Her mother was from an aristocratic family, and her parents provided their children a cultured and intellectual household environment.
In 1888 the family moved from Dresden to Bremen. While visiting an aunt in London, Becker received her first instruction in drawing. In 1893 she was introduced to works of the artists' circle of Worpswede; Otto Modersohn, Fritz Mackensen, Fritz Overbeck and Heinrich Vogeler presented their paintings in Bremen's Art Museum, Kunsthalle Bremen. In addition to her teacher's training in Bremen in 1893-1895, Becker received private instruction in painting. In 1896 she participated in a course for painting and drawing sponsored by the ''"Verein der Berliner Künstlerinnen"'' (''Union of Berlin Female Artists'') which offered art studies to women.
Becker's friend Clara Westhoff left Bremen in early 1899 to study in Paris. By December of that year, Becker followed her there, and in 1900 she studied at the Académie Colarossi in the Latin Quarter.
In April 1900 the great Centennial Exhibition was held in Paris. On this occasion Fritz Overbeck and his wife, along with Otto Modersohn, arrived in June. Modersohn's ailing wife Helen had been left in Worpswede and died during his trip to Paris. With this news Modersohn and the Overbecks rushed back to Germany.
In 1901 Paula married Otto Modersohn and became stepmother to Otto's two-year-old daughter, Elsbeth Modersohn, the child from his first marriage. She functioned in that capacity for two years, then relocated to Paris again in 1903. She and Modersohn lived mostly apart from that time forward until 1907, when she returned to Germany full-time, apparently in hopes of conceiving her own child.
The marriage with Modersohn remained unconsummated until their final year together. By 1906, Becker (now known as Paula Modersohn-Becker) has reversed her previous desire to avoid having children, and began an affair with a well-known Parisian "ladies man". However, by early 1907 she returned to her husband, became pregnant, and in November she delivered a daughter, Mathilde.
After the pregnancy she complained of severe leg pain, so the physician ordered bed rest. After 18 days he told her to get up and begin moving, but apparently an embolism had formed in a leg, and encouraged by her movement, was sufficient to break off and cause her death within hours of her rising.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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